• manga,  Uncategorized

    MANGA: Revenge ~Yakimochi Yaitara Dame Desu ka?~

    Revenge ~Yakimochi Yaitara Dame Desu ka?~- Matsumoto Yoh

    Aggressive actor, Miura Rintarou (44 years old) becomes a star overnight thanks to his “Ore-sama” seme character in a BL-film adaptation. But the one who helped him make his break from a faceless movie actor is his younger-by-15-years manager, Sonoda Enji. The two of them are unable to live without each other… Even on their days off. Miura, a stunning seme on set, does a complete 180 in private! As Sonoda pushes persistently, Miura turns to putty in his hands…!! “You like it when I lick you and kiss you, don’t you?” His mind and body melt as the younger manager engages him in massage play. Sadist Manager x Ojisan Actor in an unexpected love they can’t show the fans!

    Revenge ~ Is It Wrong To Get Jealous? ~ is a sizzling age gap romance between a middle-aged actor and his younger manager.

    Miura, long typecast in yakuza roles, suddenly lands a breakout part as a seme in BL. With no experience with men, his manager Sonoda suggests they practice. After an intense session, Miura is stunned when Sonoda confesses his feelings.

    A reckless change in career led Sonoda to managing talents. Unknown to many, Sonoda has a kink for yakuza type characters so working for the production was paradise for him. His first encounter with Miura left him completely smittened but kept his feelings tightly bottled up until that fateful confession. Now private and professional lives collide and Sonoda anda Miura navigate on-script sex scenes and off-script jealousies as more BL roles are offered.

    Oooh, living for the gap moe. Miura, brash, blunt, and older is putty in Sonoda’s uber capable hands. Both are fiercely commited to their jobs, willing to do anything for the sake of Miura’s acting, even many practice sessions that leave the supposedly straight Miura firmly in the uke territory. On camera he’s the perfect seme, but in the bedroom his switch to uke is pure delight.

    Ever the professional, Sonoda must endure watching his boyfriend in sex scenes, keeping his jealousy tightly reined in. I loved Sonoda as the seme, he’s completely devoted to Miura, securing roles and completely spoiling his tsundere boyfriend who’s oblivious to his struggle everytime the actor shoots an intimate scene

    Theirs is a healthy relationship between mature men, a complete joy to read, full of deep care, open communication, and a dynamic that brings the best out of each other. Overall, a consummately professional tale of reel aura and real feels.


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  • book,  Uncategorized

    REVIEW: Don’t Feed The Vampire by Grae Bryan

    Coastal Creatures: Don’t Feed The Vampure – Grae Bryan

    Riley’s been alone in the woods for a long time. Turned as a child, he’s hungrier and more fractured than the average vampire, and staying clear of humans is his safest bet. His moms think a mate could help him stabilize, but it’s unclear whether Riley has one, anomaly that he is. Until a new baker arrives in town, smelling so sweet and so perfect that Riley can barely stop himself from eating him up on the spot. Now it’s no longer a question of whether Riley has a mate, but whether Riley can pretend to be less of a monster long enough to woo him.

    Romance has never been Seth’s priority. He’s always been more focused on family and friendships and his passion for feeding delicious baked goods to whoever will take them. So it’s odd that this too young, too quiet, too beautiful man keeps showing up at Seth’s door, looking at Seth like he’s something special instead of painfully ordinary. And it’s even more odd that Seth can’t keep his own boundaries straight or his hands to himself. And it’s maybe oddest of all that Seth is coming to feel like Riley’s unnerving, unwavering attention is something he might not be able to live without.

    Don’t Feed the Vampire is a heated MM paranormal romance with a HEA and no cliffhanger. It contains a broken, sweetheart vampire with zero social skills; a ray of sunshine human baker; fated mates and the vampire mothers determined to protect them; and a mysterious research institute raising everyone’s suspicions. Each book in this series will focus on a different couple.


    Don’t Feed The Vampire is Book 1 of Coastal Creatures, another series set in the interconnected fated mates paranormal world by Grae Bryan. In Vampire’s Mate, Riley was the child turned by an evil vampire and adopted by two female vampires who took him to live far away from humans until he learned to control himself.

    Now 19, Riley is more in control of his vampire that he can now venture into town. He comes upon the new baker, Seth, who smells like orange cake, so irresistable that Riley couldn’t stay away. Slowly but surely, he resolves to get closer to Seth no matter what.

    Seth, everyone’s favorite baker in Demon Bound, opens his own bakery near the coast. At 26, he’s aware of Riley’s rather intense interest in him but hesitates, wary of the age gap and the weight of commitment.

    When Riley’s moms takes matters into their own hands, Seth is plunged neckdeep into the hidden paranormal world that his friends have been living in right under his nose. Not only is Riley a vampire, Seth is also completely gobsmacked to find out they are fated mates.

    Shoutout to Daphne and Sybil for raising a total sweetheart. Riley is earnest, achingly so, lonely yet hopeful and naive but smart enough to woo his mate by starting as friends knowing Seth needs time to get to know him. Riley is an adorable cinnamon roll with fangs and overflowing love he’s ready to shower on Seth.

    Seth is a ball of sunshine with his colorful headbands and nail polish. He’s attracted to the beautiful mysterious boy who hangs on his every move. He takes the paranormal in stride but the fated mates thing is something he needs to process. I wished the vampire moms let Riley and Seth’s bond develop naturally instead of forcing it.

    Majority of the plot focuses on the romance with light angst. It’s mostly cozy boyfriends surrounded by delicious baked desserts, good friends and loving moms. There’s something unspeakably cute about two precious cinnamon rolls falling in love. Must protect at all cost.

    The last arc involves a suspicious research agency and abduction giving us action and a literal handwaving rescue scene via some fae ex machina. Anticlimactic but I’m thrilled by cameos of my favorite vampire psycho Wolfgang and his mate Eric. The secondary characters promises intriguing future stories.

    Don’t Feed The Vampire is a story of fate, courtship, and meddling moms. A thoroughly entertaining opener blending the wholesome vibe of YA with the intense passion of fated mates, overall, a treat if you like it sweet and spicy.

    Rating:
    4 Stars – minor quibbles but I loved it to bits

    Soundtrack: Blood Orange
    Artist: Freya Ridings
    Album: Blood Orange

    P.S.

    Even with cameos from other series, Coastal Creatures can be read as standalone.


    If you like my content, please consider using my Amazon affiliate links below to buy your copy of Don’t Feed The Vampire. As an Amazon Associate, I earn from qualifying Amazon purchases at no additional cost to you.

    DON’T FEED THE VAMPIREAmazon UK | Audiobook

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  • song,  Uncategorized

    SOUNDTRACK: Blood Orange by Freya Ridings

    Soundtrack to Coastal Creatures: Don’t Feed The Vampire by Grae Bryan

    Blood Orange by Freya Ridings for a book about loneliness, fate, and an orange-scented love.

    All the nights that I gave
    Clingin’ on with fingertips
    To the love that never brings
    Me no rescue
    All the nights that I’ve cried
    Singin’ my own lullabies
    Felt like love was never mine
    ‘Til I met you

    How you breathe the life into my bones
    With you, in this world, I’m not alone, ’cause

    I got all the love that I need
    I got all the love that I needed
    I got all the love that I needed now
    Even when I couldn’t believe it
    Blood orange tastes the sweetest
    I got all the love that I needed now with you

  • quote,  Uncategorized

    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now

    All the nights that I gave
    Clingin’ on with fingertips
    To the love that never brings
    Me no rescue
    All the nights that I’ve cried
    Singin’ my own lullabies
    Felt like love was never mine
    ‘Til I met you

    How you breathe the life into my bones
    With you, in this world, I’m not alone, ’cause

    I got all the love that I need
    I got all the love that I needed
    I got all the love that I needed now
    Even when I couldn’t believe it
    Blood orange tastes the sweetest
    I got all the love that I needed now with you

    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now

    You’re the light to my heart
    Now they’re burnin’ in the dark
    Feel the fire warmin’ up
    Just for you (just for you)
    Just the taste of your lips
    Bittersweet from the first kiss
    Could a life be like this
    Even with you?

    Darlin’, breathe the life into my bones
    With you, in this world, I’m not alone, ’cause

    I got all the love that I need
    I got all the love that I needed
    I got all the love that I needed now
    Even when I couldn’t believe it
    Blood orange tastes the sweetest
    I got all the love that I needed now with you

    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now

    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now

    All the love I’ll ever need
    It was right in front of me
    In this blood orange tree
    Ooh-ooh-ooh, ooh
    Now I’m fallin’ with the leaves
    And now finally I see

    I got all the love that I need
    I got all the love that I needed
    I got all the love that I needed now
    Even when I couldn’t believe it
    Blood orange tastes the sweetest
    I got all the love that I needed now with you

    Ooh-hoo, ooh-ooh-hoo-ooh (ooh-ooh-ooh)
    Ooh-hoo, ooh-ooh-hoo-ooh (hoo-ooh-ooh)
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now (ooh-ooh)

    Ooh-hoo, ooh-ooh-hoo-ooh (ooh-ooh-ooh)
    Ooh-hoo, ooh-ooh-hoo-ooh (eh-eh-eh, eh)
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now

    Ooh-hoo (woo), ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Ooh-hoo, ooh-ooh-hoo-ooh
    Now