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When I was working as an ESL tutor, my Japanese student and I talked about anime. I told him I was almost always fascinated with the villains and asked why anime stories usually show the villain’s backstory. I asked because most western cartoons don’t do that. He told me it was because the Japanese believe an enemy today could be a friend tomorrow.

Panopolis by Cari Z is a great example of of the shifting lines between villainy and heroism. Sometimes, it’s a matter of perspective. This underrated series deconstructs the superhero and supervillain tropes.

I came into this thinking I would get a cartoonish, comical romp, something along the lines of Despicable Me or The Incredibles. I got a dark, sinister tale of highly unethical science, mind control and oppression, torture and terrorism, politics and conspiracies, and the collateral damage that is conveniently ignored in the name of saving the day.

Panopolis is a mega-city with an unusually high number of supers. Time-honored tradition dictates it’s always heroes vs. villains. The good guys have corporate sponsorships and all the perks. The baddies are mostly after money and make the heroes look good. The fights get a lot of tv coverage, usually as entertainment.

Where There’s Smoke opens the series with a bank heist by one of the city’s most notorious villains, The Mad Bombardier. It happens to be the bank where Edward Dingle works. He’s a kind, mild-mannered guy. So kind he couldn’t resist covertly helping the very villain robbing his bank because he saw The Mad Bombardier needed a hand.

Intrigued, The Mad Bombardier, a.k.a. Raul, sought Edward out again. Their first date was cute! They eventually started dating. The story breezed through the early parts of their relationship and fast-forwarded to them being an established couple.

Raul is a total sweetheart, and his costume is supercool! He became a bomb expert due to a rather atypical upbringing. He wears a helmet with numbers counting down. It looks ominous, but it’s actually his little joke. He’s also the only top villain with no body count under his belt so far.

Book 1 is a 2-hour audiobook, so the plot moved fast. The story is told from the 1st-person POV of Edward, tackling the moral dilemma and the consequences of dating a supervillain. It shakes an already precarious situation by having that supervillain’s superhero nemesis crushing on Edward and persistently asking him out. Edward is also slowly learning what those corporate sponsorships really entail.

I love how the story blurs the lines. Along with Edward, we question who is the hero? Who is the villain? Who is the criminal? Who is the victim? And who the hell is really in charge? This novella laid out a fantastic foundation for the follow-up. It’s best to have the next book on hand before starting this because the ending turned Edward’s world upside down. You’ll be grabbing that sequel immediately!

Where There’s Fire picks up on the aftermath of all those explosions. This is where those foreboding thoughts about Panopolis became harsh reality. What was only hinted at and glimpsed in the periphery came out in the open when Edward and Raul met with the villains. It’s where the series became truly dark.

It’s also the part where I was seriously torn. One hand, I felt sorry for these villains because of what they had gone through. It was pretty nasty! I also understood their cause, their fight to right the wrongs done to their ilk. But then, them being what they are, they get a little too Machiavellian. Poor Raul had to suffer for it!

This is the part where Edward embraced who he really was. How he saved Raul was brilliantly executed! It’s like the man conquered the city by making people feel and being his kind self. He was awesome!!!

This is longer than the 1st book, so things were more fleshed out. The tension is tight throughout the story. The suspense ratcheted up several notches when our boy Edward took on the entire city. Edward’s trick on the boss fight scene was super clever!

I tried not to give too many details here because it’s best to go in knowing only the minimum details. The Cari Z books I’ve read are those she has written with L.A. Witt. I need to read more of her solo works, as well, because she’s a very talented writer. I could tell she really knows her stuff when it comes to supers.

Panopolis is the perfect example of that. It is an action-packed, sometimes sweet, thought-provoking, and uniquely fascinating take on heroes and villains. A potent reminder that with great powers comes great headaches.

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Where There’s Smoke: US | UK
Where There’s Fire: US | UK

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