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    REVIEW: You Should Be So Lucky by Cat Sebastian

    Midcentury NYC: You Should Be So Lucky – Cat Sebastian

    An emotional, slow-burn, grumpy/sunshine, queer mid-century romance about grief and found family, between the new star shortstop stuck in a batting slump and the reporter assigned to (reluctantly) cover his first season—set in the same universe as We Could Be So Good.

    The 1960 baseball season is shaping up to be the worst year of Eddie O’Leary’s life. He can’t manage to hit the ball, his new teammates hate him, he’s living out of a suitcase, and he’s homesick. When the team’s owner orders him to give a bunch of interviews to some snobby reporter, he’s ready to call it quits. He can barely manage to behave himself for the length of a game, let alone an entire season. But he’s already on thin ice, so he has no choice but to agree.

    Mark Bailey is not a sports reporter. He writes for the arts page, and these days he’s barely even managing to do that much. He’s had a rough year and just wants to be left alone in his too-empty apartment, mourning a partner he’d never been able to be public about. The last thing he needs is to spend a season writing about New York’s obnoxious new shortstop in a stunt to get the struggling newspaper more readers.

    Isolated together within the crush of an anonymous city, these two lonely souls orbit each other as they slowly give in to the inevitable gravity of their attraction. But Mark has vowed that he’ll never be someone’s secret ever again, and Eddie can’t be out as a professional athlete. It’s just them against the world, and they’ll both have to decide if that’s enough.


    You Should Be So Lucky is the second book of Midcentury NYC, a historical series by Cat Sebastian about queer newspaper reporters in 1960s New York City. The story stars Mark Bailey, whom we met in We Could Be So Good as the book reviewer and Nick Russo’s sorta friend.

    Mark, outta sorts since the loss of longtime boyfriend William, was voluntold by the publisher and Nick’s boyfriend, Andy Fleming III, to write a series of diary-like columns on Eddie O’Leary, the golden boy recently traded to the newly formed baseball team, The Robins.

    Mark is essentially, a grieving widower. He and William were married in all but the law. William was a lawyer. He left Mark a sizable fortune, a huge apartment full of antiques, and a spoiled diva of a dog, Lula.

    Now in the worst slump of his life, Eddie is given the cold shoulder by his entire team and boo-ed by fans for his outrageous rants against the perpetually losing Robins when he was about to be traded. While he may be hot-tempered at times, this baseball player is also a ball of good cheer and contagious smiles.

    Eddie’s skeptical about Mark’s column but as one of those see-ers of good in people, it wasn’t long until he trusted the reporter. It also didn’t hurt that Mark looked delectable in his suits and that the diary entries weren’t what he expected.

    This is a story about a talented pro-athlete in a slump and I just realized as I was writing this, that Mark was also in a slump. I loved the author’s take on the theme. There are no miracle cures, no insta-power-ups, and no sudden heroes. Just Eddie, being a poster boy for slumps but in a good way. Because even golden boys have slumps, just like the rest of us.

    Mark is slowly finding inspiration to write again the more he spends time with Eddie and the Robins. Sometimes it’s a matter of how you look at things. Mark realizes that there’s more to the story than Eddie O’Leary.

    He finds other topics, such as the unexpected appeal of the Robins. There’s also an unlikely second chance in the team’s notorious coach, a former baseball superstar now a drunkard and a womanizer.

    Meanwhile, Eddie grits his teeth and keeps at it until he is lucky to get a hit or two. The man was floundering but slowly won over his team. And they pitched in to help his batting skills. Like Mark, Eddie discovers the hidden depths of his notorious coach, a method to his madness.

    There’s a lovely found family here, not only for the queers but for their allies. One of the most touching parts is Mark and his friendship with elderly reporter George Allen.

    There’s a low thrum of grief in the story and many small joys scattered throughout. We have a wonderful friendship-turned-romantic-relationship between Mark and Eddie and an adorkable ray of sunshine in Eddie, whose wholesomeness and joy radiate happy vibes off the page. Grumpy Mark didn’t stand a chance!

    But the book also suffered the same complaints as We Could Be So Good. The damned thing was so sloooow! I felt every drag of the molasses-slow pacing, it became a chore to read. And like its predecessor, there’s a lot of nothing going on. Sure, I sang praises earlier, but it took a god-awfully loooong time to get to those points. And it is repetitive, too.

    I love slow-burn romance, but better make sure the rest of the book isn’t dragging its feet, too.

    You Should Be So Lucky is a story of second chances, a celebration of baseball, and an appreciation for suits. It’s very much YMMV, so I still encourage everyone to grab it. Overall, an inspiring sports romance brimming with optimism and healing that falls between like and love.

    Rating:
    3.5 Stars – that place between like and love

    Soundtrack: Lucky You
    Artist: Lightning Seeds
    Album: Jollification

    P.S.

    Midcentury NYC books are interconnected but We Could Be So Good and You Should Be So Lucky can be read as a standalones.


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    REVIEW: We Could Be So Good by Cat Sebastian

    Midcentury NYC: We Could Be So Good – Cat Sebastian

    Casey McQuiston meets The Seven Husbands of Evelyn Hugo in this mid-century romdram about a scrappy reporter and a newspaper mogul’s son–perfect for Newsies shippers.

    Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.

    Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life–he’s never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he’ll make an ass of himself and hate every second of it.

    Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can’t deny. But what feels possible in secret–this fragile, tender thing between them–seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they’re willing to fight.


    Lots of conflicting feelings here.

    We Could Be So Good, Book 1 of Midcentury NYC by Cat Sebastian, is one of those modern historicals I’m exploring since Regencies and Victorians aren’t doing it for me recently. Set in the late 1950s New York, it’s a best-friends-to-lovers romance between a closeted newspaper reporter, Nick Russo, and his newly awakened bisexual friend, Andy Fleming, the publisher’s son.

    The book is touted as a “Casey McQuiston meets The Seven Husbands of Evelyn Hugo” in that comparative marketing style I hate. I usually see this when a niche genre/indie author (is this the proper term?) is marketed to mainstream readers (again, not sure of the proper term). It’s helpful to a wider audience who might want to venture into queer books, but I prefer the book to stand on its merit.

    That said, I’d love it if more people discover Cat Sebastian and other brilliant MM romance authors. That way, their books would be popular enough to be picked up by Hollywood. My dream is to have my favorite books turned into movies. Sometimes, I entertain myself with the idea that if I win the lottery, I’d create my own production company just for that purpose.

    Anyway, I’ve seen the movie version of the royal rom-com, though I’ve no idea about Evelyn Hugo. There are a few similarities to the former.

    There’s the opposites attract trope where Nick is uber-competent and Andy is a bumbling himbo who can’t even shut a drawer without getting his tie caught. There’s the class difference where Nick comes from an Italian immigrant working-class family while Andy is third of his name and has more money than he knows what to do with. They also had to keep their blossoming romance on the down low.

    There’s also a wonderful found family for Nick, Andy, and their queer/non-queer friends. I loved that, by some unspoken agreement, they built a safe space for everyone in Nick’s building apartment.

    The story has all the ingredients that make a Cat Sebastian book a swoony, unforgettable experience. The scenes are brimming with mutual pining and longing and fluffy, adorable moments wrapped in cozy domesticity. There’s so much love and kindness between Nick and Andy, and I adore them! They reminded me of the author’s squee-tastic friends-to-lovers masterpiece Two Rogues Make A Right.

    Sadly, the feels didn’t soak through to the bone. I wasn’t squee-ing. The romance is of the slow burn variety, which I usually love, but it’s so damn slooow that the slowness is all I could think about. I was audiobooking this, and even the great Joel Leslie couldn’t stop the draggy feeling. 

    The glacial pace is compounded by the fact that there is barely any plot. It’s just Nick and Andy doing not-so-exciting everyday things and sending feels to each other. While era-specific LGBTQIA issues are tackled, as well as Nick’s family woes and Andy having his bisexual awakening, these threads felt shallow.

    I wanted to love the book so much but it is what it is. I’d still recommend this, since many people loved it and YMMV from mine.

    We Could Be So Good is a story of loyal friends, complicated families, and hopeful lovers against the backdrop of the Big Apple. It could have been all my yes had it been faster. Overall, a cozy, sweet romance built on kindness and care that falls in that place between like and love.

    Rating:
    3.5 Stars – that place between like and love

    Soundtrack: So Good
    Artist: Public Library Commute
    Album: Close to the Sun


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    WE COULD BE SO GOOD: Kindle I Audiobook

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